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Thomas Eakins
American Realist Painter, 1844-1916. Thomas Cowperthwait Eakins (July 25, 1844 ?C June 25, 1916) was a realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some forty years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries; individually, they are incisive depictions of thinking persons. As well, Eakins produced a number of large paintings which brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. These active outdoor venues allowed him to paint the subject which most inspired him: the nude or lightly clad figure in motion. In the process he could model the forms of the body in full sunlight, and create images of deep space utilizing his studies in perspective. No less important in Eakins' life was his work as a teacher. As an instructor he was a highly influential presence in American art. The difficulties which beset him as an artist seeking to paint the portrait and figure realistically were paralleled and even amplified in his career as an educator, where behavioral and sexual scandals truncated his success and damaged his reputation. Eakins also took a keen interest in the new technologies of motion photography, a field in which he is now seen as an innovator. Eakins was a controversial figure whose work received little by way of official recognition during his lifetime. Since his death, he has been celebrated by American art historians as "the strongest, most profound realist in nineteenth-and early-twentieth-century American art".

 

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Thomas Eakins John Biglin in a Single Scull oil painting

Painting ID::  92064

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Thomas Eakins
John Biglin in a Single Scull
oil on canvas cyf
   
   
     

 

 

Thomas Eakins Billy Smith oil painting

Painting ID::  93565

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Thomas Eakins
Billy Smith
circa 1898(1898) Medium oil on canvas Dimensions 50.8 x 40.6 cm (20 x 16 in) cjr
   
   
     

 

 

Thomas Eakins Starting out after Rail oil painting

Painting ID::  93568

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Thomas Eakins
Starting out after Rail
1874(1874) Medium oil on canvas mounted on masonite Dimensions 61.59 x 50.48 cm (24.2 x 19.9 in) cjr
   
   
     

 

 

Thomas Eakins Portrait of Professor Benjamin H Rand oil painting

Painting ID::  95063

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Thomas Eakins
Portrait of Professor Benjamin H Rand
1874 Type oil on canvas Dimensions 152 cm x 123 cm cyf
   
   
     

 

 

Thomas Eakins The Chess Players oil painting

Painting ID::  95068

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Thomas Eakins
The Chess Players
1876 Type Oil on wood panel Dimensions 29.8 cm x 42.6 cm cyf
   
   
     

 

 

Thomas Eakins William Rush and His Model oil painting

Painting ID::  95069

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Thomas Eakins
William Rush and His Model
Oil on canvas, 51.1 cm x 66.3 cm cyf
   
   
     

 

 

Thomas Eakins The Fairman Rogers Four in Hand oil painting

Painting ID::  95077

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Thomas Eakins
The Fairman Rogers Four in Hand
Date 1879-1880 cyf
   
   
     

 

 

Thomas Eakins Miss Amelia Van Buren oil painting

Painting ID::  95165

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Thomas Eakins
Miss Amelia Van Buren
c. 1891 Type Oil on canvas Dimensions 110 cm x 81 cm cyf
   
   
     

 

 

Thomas Eakins Portrait of Mary Adeline Williams oil painting

Painting ID::  95183

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Thomas Eakins
Portrait of Mary Adeline Williams
Oil on canvas, 1899. 61 x 50.8 cm cyf
   
   
     

 

 

Thomas Eakins Portrait of Louis N Kenton oil painting

Painting ID::  95184

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Thomas Eakins
Portrait of Louis N Kenton
1900 Type Oil on canvas Dimensions 210 cm x 110 cm cyf
   
   
     

 

 

Thomas Eakins Portrait of Leslie W Miller oil painting

Painting ID::  95187

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Thomas Eakins
Portrait of Leslie W Miller
1901 Type Oil on burlap canvas Dimensions 223.8 cm x 111.8 cm cyf
   
   
     

 

 

Thomas Eakins Self portrait oil painting

Painting ID::  95190

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Thomas Eakins
Self portrait
1902 (1902) Type Oil on canvas Dimensions 76 cm x 63 cm cyf
   
   
     

 

 

Thomas Eakins The Artist and His Father Hunting Reed Birds oil painting

Painting ID::  96547

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Thomas Eakins
The Artist and His Father Hunting Reed Birds
Oil-on-canvas from c. 1874 cyf
   
   
     

 

 

Thomas Eakins Study for William Rush Carving His Allegorical Figure of the Schuylkill River oil painting

Painting ID::  96814

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Thomas Eakins
Study for William Rush Carving His Allegorical Figure of the Schuylkill River
1876(1876) Medium oil on canvas cyf
   
   
     

 

 

Thomas Eakins Portrait of Frank Hamilton Cushing oil painting

Painting ID::  98050

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Thomas Eakins
Portrait of Frank Hamilton Cushing
oil on canvas, by the American artist Thomas Eakins. Courtesy of the Gilcrease Museum. Date 1895(1895) cyf
   
   
     

 

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Thomas Eakins
American Realist Painter, 1844-1916. Thomas Cowperthwait Eakins (July 25, 1844 ?C June 25, 1916) was a realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some forty years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries; individually, they are incisive depictions of thinking persons. As well, Eakins produced a number of large paintings which brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. These active outdoor venues allowed him to paint the subject which most inspired him: the nude or lightly clad figure in motion. In the process he could model the forms of the body in full sunlight, and create images of deep space utilizing his studies in perspective. No less important in Eakins' life was his work as a teacher. As an instructor he was a highly influential presence in American art. The difficulties which beset him as an artist seeking to paint the portrait and figure realistically were paralleled and even amplified in his career as an educator, where behavioral and sexual scandals truncated his success and damaged his reputation. Eakins also took a keen interest in the new technologies of motion photography, a field in which he is now seen as an innovator. Eakins was a controversial figure whose work received little by way of official recognition during his lifetime. Since his death, he has been celebrated by American art historians as "the strongest, most profound realist in nineteenth-and early-twentieth-century American art".